The Freemans: A Lust Story, with Murder and Real Estate

Featured

My new book is out. The Freemans: A Lust Story, with Murder and Real Estate is a true crime journey with a family of New York fraudsters.

They were power-connected jewel thieves, polygamists, money launderers, arsonists, and worse who operated in plain sight for a century. They owned insurance companies, commuter railroads, politicians, and judges. They robbed war widows and orphans. They stole half of Queens. They made people disappear.

Four generations. Three trials of the century. Two plundered coasts. One unspeakably gruesome murder. The Freemans left a trail of ruined corporations and broken hearts across America. And they were the slapstickiest crooks on earth.

Available now on Amazon.

Copyright © 2023 SYDNEY SCHUSTER – All Rights Reserved

Sydney Schuster and Dead Spot Books neither approved nor endorse any non-Dead Spot Books advertising that may appear here, nor do we derive any income from it. Some of it is really gross and we apologize, but the web host puts it there and we have no control over it. Try to ignore it. Thanks.

, , , , , ,

The Erie Preserving Fire

This is a chapter from my new book, Ravenswood: The Lost Paradise. It’s available on Amazon. The book is about a town in Queens, New York, that vanished.

Copyright © 2023 SYDNEY SCHUSTER – All Rights Reserved

In 1884 the entire southern end of baronial Ravenswood was taken out by an arson fire — ironically, the same way it began.

Margaret and David Fenton decided their slice of peaceful suburb between John Englis’ and William Nelson’s houses was perfect for a nasty, smelly, noisy food cannery. They added a 50ʹ×100ʹ two-story brick factory; a two-story wooden box factory; two 40ʹ×60ʹ three-story warehouses; an engine house; and 140 workers tromping around.

Erie Preserving was a family business owned by James and Clarence M. Fenton of Buffalo, David Fenton’s nephews. They had factories in Buffalo, Brant, East Hamburg, and Fairhaven, New York, St. Catharines in Ontario, Canada, and a business called J.K. Armsby & Co. in Chicago.

In 1884 Erie Preserving was in a lot of trouble. In April the company estimated it owed $200,000 ($6.08 million in 2022 dollars) against $326,932 in assets — a situation, snarked Bradstreet’s, “not regarded as a favorable showing by the trade.” Erie Preserving claimed what pushed it over the fiscal cliff was a $50,000 check from J.K. Armsby that bounced.

In a suspicious coincidence, there was a massive fire at the Ravenswood plant the next month. Losses were $60,000 against $40,000 of insurance.

In July, Erie Preserving suspended business and went into receivership. The Buffalo plant was seized by the sheriff on July 24, on complaints of unpaid loans by Margaret Fenton ($67,810) and W.H. Purcell & Co. of Chicago ($10,000).

Erie Preserving managed to stay afloat by moving to new towns, changing its name, and building new factories that always burned down. It was also known as the Buffalo Conserve Company and Niagara Preserving.

In 1887 its Buffalo factory caught fire, the official story being that flames from a capper traveled up some gasoline pipes that were next to some naptha tanks on the roof. The top two floors were “badly damaged,” according to the New York Times, but the estimated $40,000 loss was covered by insurance. Whew! Miraculously, all 250 employees escaped unharmed. The factory caught fire again in 1890. “The cause of the fire is a complete mystery,” deadpanned the The Buffalo Courier.

Erie Preserving replaced its Ravenswood facility with one in East Hamburg, New York, in 1890. It, too, burned to a crisp around 1895. Then there was a fire at Erie Preserving’s Orchard Park, New York, plant in 1896, and Erie Preserving’s warehouse at the North Collins depot in Buffalo in 1899. What were the odds?

On May 24, 1884, the Erie Preserving plant in Ravenswood blew up. The official blame fell on some wooden boxes that caught fire inside the box factory, a wood-frame building behind the two-story brick canning factory. Both were destroyed, and the fire spread quickly to the rest of the plant and five homes nearby. “The greatest excitement prevailed in the neighborhood,” reported the New York Times, “and the residents for half a mile north of the fire were busy moving out their furniture.”

The Long Island City firefighters were stymied upon arriving with their antiquated hand engines, only to find no fire hydrants existed in the area. The fire was eventually extinguished by four fire tugboats belonging to the Standard Oil operation next door in Hunter’s Point, sent to ensure their oil tanks didn’t go the way of the cannery after a loud explosion was heard.

It turns out what was exploding was fruit. One news report described “a constant fusillade of exploding cans” spewing preserved foods over an impressive radius, giving “the impression of widespread disaster.”

A rumor spread that the Standard Oil plant was ablaze. (It wasn’t.) The inmates on Blackwell’s Island, who had a premium view of the event, were in a panic. By late afternoon the excitement was over, but the screaming had only just begun.

Some volunteer firefighters were injured but no deaths were reported, except for one horse trapped in a burning stable. The fire started at lunchtime, when no one was inside the buildings, according to the New York Sun. The Brooklyn Daily Eagle, which was close enough to actually send a reporter to cover the debacle but didn’t, embellished on the reportage of other papers instead, hysterically proclaiming: “the employees fled from the building for safety” and “the Bodine Castle … will be a total loss.” (They didn’t, and it wasn’t.) The Elmira Sunday Morning Tidings screeched: “One hundred men, women, and children were employed there, and escaped with great difficulty.” Actually there were 130 workers, but whatever. The New York Sun said they were all safe, enjoying “little picnic parties in the grounds under the trees.” Unfortunately, they all lost their jobs.

The carnage was widely reported; the more it was repeated, the bigger it got. The Watertown Re-Union reported “the fire extended three or four blocks.” The Sun bemoaned the “ten acres of smouldering ruins along the river bank.” The Elmira Sunday Morning Tidings wailed that “All houses for a mile along the river front are destroyed.” The fire was catastrophic only for one block.

The Eagle decried the loss of “the Ravenswood Terra Cotta Works,” something that didn’t exist. The New York Architectural Terra Cotta Company (the only such factory in Ravenswood, if that’s what the Eagle meant) was a quarter-mile distant from the fire and unharmed.

The only paper to actually send a reporter to the scene was the Newtown Register, whose meticulous description of the area exactly corresponds to its depiction on the 1879 Taylor map (top of page).

That’s not to say the fire didn’t leave a big mess. Besides Erie Preserving’s canning and box factories and a mountain of ex-wood on its dock, the casualties included old mansion outbuildings such as stables and carriage barns, one of which was used as a lumber yard. Some smart thinking there on someone’s part.

Erie Preserving had parked 700,000 feet of lumber on its dock that was incinerated. There was even more lumber, dumped into the river to keep it from burning. Most of that floated away with the tide, landing on private beaches of lucky residents who refused to give it back.

In a naked attempt to pad their losses for a bigger reimbursement, Erie Preserving estimated their loss at $100,000. It wasn’t anywhere near that much. In the end the Fentons got a $40,000 insurance payoff against $60,000 in assessed losses. Two months after the fire, Erie Preserving went into receivership.

The genuinely lamentable losses were two once-glorious mansions next to the factory. Shipbuilder John Englis’ home burned down, and William Nelson’s top floor was ruined with water by firefighters. The Cadwell/Fraser house, which the Fentons owned, somehow wasn’t damaged much, which was quite strange considering it was the closest of the three mansions to the fire. The wooden railing around John Harris’ roof was burned. John Bodine’s property caught sparks, too, but was rescued by Standard Oil tugboats; its damage was limited to wooden fences and outbuildings.

So while the “ten acres of desolation” The Sun melodramatically blathered about wasn’t quite that much, the magnificent Englis house really was a charred memory. The property became part of Lane & De Groot Company, a marine equipment manufacturer (1901 E. Belcher Hyde). The Nelsons let their insurance company total their place, and the property was sold to James Gillies & Sons for a granite yard. The Cadwell/Fraser house became the Pringle Memorial Home.

In just four hours, two jewels of Ravenswood were lost forever, because the Fentons wanted to make a quick buck.

✯✯✯✯

Copyright © 2023 SYDNEY SCHUSTER – All Rights Reserved

May not be reproduced without permission.

Sydney Schuster and Dead Spot Books neither approved nor endorse any non-Dead Spot Books advertising that may appear here, nor do we derive any income from it. Some of it is really gross and we apologize, but the web host puts it there and we have no control over it. Try to ignore it. Thanks.

Ravenswood: The Lost Paradise | A New Book by Sydney Schuster

My latest book is out!

It’s the true story of Ravenswood, a 19th century playground of the rich and fabulous on Queens’ western coast — two miles of unspoiled beaches with zillion-dollar views of Manhattan, dotted with quirky palaces and exotic gardens spoken of with reverence and envy for decades. From 1835 to 1860, a flood of well-heeled New Yorkers fleeing the cholera epidemics created what became the city’s hottest neighborhood. And then a crook named Thomas Rainey came to town, and it vaporized.

What happened to Ravenswood was a crime. Literally.

Ravenswood is one of the least documented, most chaotically short-lived, totally misunderstood settlements in all of modern history. New research and never-before-published images in Ravenswood: The Lost Paradise bring the decadence inside its vanished mansions back to life. Parties! Bribes! Grifts! Arson! Espionage! Fake deaths! Real murders! Free love! Tons of gunpowder in a room with a lit stove!

It’s a Queens you never knew existed. But more than that, Ravenswood is the roller coaster you’ve always wanted to ride!

Available on Amazon.

Ravenword Cover for WordPress

✯✯✯✯

Copyright © 2023 SYDNEY SCHUSTER – All Rights Reserved

Sydney Schuster and Dead Spot Books neither approved nor endorse any non-Dead Spot Books advertising that may appear here, nor do we derive any income from it. Some of it is really gross and we apologize, but the web host puts it there and we have no control over it. Try to ignore it. Thanks.

Dead Spot: The Author Interview

It must be karma. As a lifelong half-assed celebrity, I’ve been asked for interviews. And I always just kinda went “Gah!” because I never wanted to be at the mercy of someone like me. Then in 2011 I published a bangin’ rock’n’roll mystery novel called Dead Spot, which somebody should’ve interviewed me about by now but hasn’t. Screw ’em, um doing it my damn self. Here ya go!

As a lifelong half-assed celebrity, I've been asked for interviews. And I always just kinda went "Gah!" because I never wanted to be at the mercy of someone like me. Then in 2011 I published a bangin' mystery rock'n'roll novel called Dead Spot, which somebody should've interviewed me about by now but they haven't. Screw 'em, um doing it my damn self. Here ya go! Dead Spot: The Author Interview Q Is Dead Spot a roman a clef? A Hahaha! No. But the Nona character is kind of a worst-case-scenario me. I'd personally never murder anyone, but Nona would if I could've worked it into the storyline. Q So, no chicken bombs for you? Hoses through mailslots? A No, sorry. Although back when you could mail stuff COD without a return address, I did send an asshole a brick. Q Your characters are ... quite realistic, and shady as hell. What fundamentally motivates them? A It changed over time. This book reads like a romp but actually took ten years to write. During the first draft, I was reading Margaret Atwood and it showed. My characters were moribund. I decided Nona would be way more fun and lovable if her actions were driven by amorality rather than self-righteousness. So I fixed her in the rewrite. Q When you were a kid, did you ever go on fun road trips with your dad, like Nona did? A Nah. My father was a small business owner. He didn't have time for crap like that. He was pretty cool, though. His mostest prized possession was a cherrypicker. I wanted to drive it but he wouldn't let me. Q Are any of Dead Spot's other characters based on real people? A Let's put it this way: Most of my friends have been musicians. My first and last boyfriends were musicians. I went to a college for musicians. I wrote about wedding bands for magazines, and nightclubs for newspapers. I've hung around musicians my whole life. Today I have two kinds of friends: musicians who're mad at me because they think they're in Dead Spot, and musicians who're mad because they aren't. Q Play any musical instruments yourself? A I used to. Guitar, clarinet, piano, gangsa, and gong, when gangsa didn't work out. As a kid I was in the all-city orchestra, and assorted school bands, and a gamelan. I actually used to could read and write music, but mostly I butchered it. Q What about singing? A Lol. I was in school choirs and stuff. And briefly in a pop duo with a friend who was good enough to become a professional opera singer. I was good enough to become a pulp fiction writer. Although this one time at karaoke I hit a note only dogs could hear, and some drunks in the back went nuts. Not sure that counts. Q Ever get into a slam at a Ramones show? A Maybe. Q A running theme in Dead Spot is vintage guitars. You seem to know a lot about them. Do you got any? A Nah. I had a lot of help with that. A couple of guys I know are into collecting, big league. They're really incapable of talking about anything else. Q What about vintage motorcycles? A Thems I know. I used to write about vintage bikes for magazines. Old Bike Journal, Classic Cycle Review. Q Do you ride motorcycles? A Yup. Q Wrench them? A Yup. Q Ever get a speeding ticket? A Duh Q What was your inspiration for Dead Spot's epic vehicular chase? A I've carried many annoying passengers. Plus I was followed and threatened a lot. See, if you have a bike, you make a lot of friends. My scoot got pushed over and set on fire. I've been front ended, rear ended, and doored. One time I hopped a curb to avoid a traffic jam and got chased by the international police, because it turned out the sidewalk I was driving on was the UN's. Put them all together, they spell mofo. Q Nice. So what's your journalism background? A I started out writing features on culture and sports for Spy, the Village Voice, Bicycle Guide, and a gazillion other magazines. Then I did a handbrake turn into medical writing and editing in the fields of radiology, pharma, and sports medicine. I was also a business editor at Harvard. And an algebra books editor. Don't even ask. Q Did you ever do any of the wild stuff Nona does to get a story? A Ermagerd, no! I never secretly stalked people or hid in anyone's bushes or broke into houses. Not that I didn't want to. I always boringly went through proper channels and requested interviews, or my editors set them up. When I got the interview, great; when I didn't, screw 'em. Nona, she snapped. Me, I just moved along. Q What was the sketchiest journalism thing you ever did? A Faked my way into a sold-out Meat Loaf concert in the 1970s. I told his publicity office I wanted to cover it for a music magazine. The magazine belonged to a friend of mine in California. It was about electronic music and they didn't give two poops about Meat Loaf, plus this was five years before I wrote for magazines for real. My friend covered for me, though; he's a sweetie pie. In the end I did do a write-up that I submitted over the transom to some other mags, but they didn't want it, either. Anyway, Loaf sent a messenger to my apartment with two tickets to his sold-out show. Then he overnighted two more tickets for another show that I didn't even ask for. This was when Karla DeVito worked with him; I would've paid double just to see her. Great shows. Madison Square Garden and Nassau Coliseum, oxygen tanks and all. Q So, did you get to meet Mr. Loaf? A Honestly, it was too big of a clusterfuck even for me. Huge venues, hundreds of people fighting for his attention, long lines, explanations, etc. He lived in New York at the time and if I really wanted to meet him, it was easier to just pick up a box of Twinkies and ring his doorbell. Q What was different in the last millennium about investigative reporting? A Before cell phones, if you had to reach anyone in a big stinkin' hurry, first you had to find a pay phone that wasn't broken. Then you had to wait on a line to use it. Then you needed change, sometimes LOTS of change. It often ended badly. The other thing was availability of information. In 1990, when Dead Spot takes place, there was no internet, or electronic information databases accessible from your TRS-80. Like, if you wanted to know who owned a property or business, you had to go to the city buildings department or call the secretary of state's office. You couldn't search criminal records from your couch. People didn't have websites. You couldn't just fire off an email to someone you wanted to talk to. You had to get their phone number or snailmail addy somehow. I had bookshelves full of dead trees reference books, a closet full of phone books from everywhere, a Rolodex the size of Queens. Q How about sports? In Dead Spot, Nona participates in the New York City Marathon. On her bike. Ever involved in any sports yourself, beyond armchair coaching? A Yeah. I was a bicycle racing official for two wild, twisted decades. It's more corrupt than you can possibly imagine. The US cycling federation had institutionalized doping programs, rigged drug testing, an inscrutable ranking system, pandemic cheating, payola scandals, and a pedophile CEO. Oh, and they were ginormous misogynists. Good times! Q If you hadn't become a writer, what would you be now? A A courtroom artist. Or a bookie. Or a barfly. Q Do you drink tequila? A Depends. You buying?

Q Great book! Is Dead Spot a roman à clef?
A Hahaha! No. But the Nona character is kind of a worst-case-scenario me. I’d personally never murder anyone, but Nona would if I could’ve worked it into the story line.

Q So, no chicken bombs for you? Hoses through mail slots?
A No, sorry. Although back when you could mail stuff COD without a return address, I did send an asshole a brick.

Q Your characters are … quite realistic, and shady as hell. What fundamentally motivates them?
A It changed over time. This book reads like a romp but actually took ten years to write. When I began I was reading Margaret Atwood and it showed. My characters were moribund. I decided Nona would be way more fun and lovable if her actions were driven by amorality rather than self-righteousness. So I fixed her in the rewrite.

Q Are any of Dead Spot‘s other characters based on real people?
A Let’s put it this way: Most of my friends have been musicians. My first and last boyfriends were musicians. I went to a college for musicians. I wrote about wedding bands for magazines, and nightclubs for newspapers. I’ve hung around musicians my whole life. Today I have two kinds of friends: musicians who’re mad at me because they think they’re in Dead Spot, and musicians who’re mad because they aren’t.

Q Play any musical instruments yourself?
A I used to. Guitar, clarinet, piano, gangsa, and gong, when gangsa didn’t work out. As a kid I was in the all-city orchestra, and assorted school bands, and a gamelan. I actually used to could read and write music, but mostly I butchered it.

Q What about singing?
A Lol. I was in school choirs and stuff. And briefly in a pop duo with a friend who was good enough to become a professional opera singer. I was good enough to become a pulp fiction writer. Although this one time at karaoke I hit a note only dogs could hear, and some drunks in the back went nuts. Not sure that counts.

Q Ever do any songwriting?
A Only the songs in Dead Spot. Originally I wanted to use snippets of famous songs, but it cost too much so I wrote my own. They’re kind of “Rocky Horror Show”-ish. You can blame Bruce Springsteen for that. I had contacted his rep about quoting half of one verse from “Darkness on the Edge of Town.” The rep said, “Okay, we charge a per-run fee based on the number of copies. How many are you printing?”
Me: “None. It’s an ebook.”
Him: “Well, how many will you sell?”
Me: “If I’m lucky, five.”
Seriously, I don’t know which is more pathetic — being a twenty-first century publishing lawyer who doesn’t know about electronic publishing, or being hosed by one. In the end I used the lyric anyway and dodged the fee by… Oh, just read the book.

Q Ever get into a slam at a Ramones show?
A Maybe.

Q A running theme in Dead Spot is vintage guitars. You seem to know a lot about them. Do you got any?
A Nah. I had a lot of help with that. A couple of guys I know are into collecting, big time. They’re really incapable of talking about anything else.

Q What about vintage motorcycles? There are lots of those in Dead Spot, too.
A Thems I know. I used to write about vintage bikes for magazines. Old Bike Journal, Classic Cycle Review. They’re out of business now, but not because of me.

Q Do you ride motorcycles?
A Yup.

Q Wrench them?
A Yup.

Q Ever get a speeding ticket?
A Duh.

Q What was your inspiration for Dead Spot‘s epic vehicular chase?
A I’ve carried many annoying passengers. Plus I was followed and threatened a lot. See, if you have a bike, you make a lot of friends. My scoot got pushed over and set on fire. I’ve been front ended, rear ended, sideswiped, doored, and maced. One time I hopped a curb to avoid a traffic jam and got chased by international police, because it turned out the sidewalk I was driving on was the UN’s. I was never shot at, but there’s still time.

Q When you were a kid, did you ever go on fun road trips with your dad, like Nona did?
A Nah. My father was a small business owner. He didn’t have time for crap like that. He was pretty cool, though. He restored a Hudson Hornet and built motorized model planes. The planes took up a lot of his time because they crashed a lot. His mostest prized possession was a bucket truck. I wanted to drive it but he wouldn’t let me.

Q Bummer. So what’s your journalism background?
A I started out writing features on culture and sports for Spy, the Village Voice, Bicycle Guide, and a gazillion other magazines. Then I did a handbrake turn into medical writing and editing in the fields of radiology, pharma, and sports medicine. I was also a business editor at Harvard. And an algebra books editor. Don’t even ask.

Q Did you ever do any of the wild stuff Nona does to get a story?
A Ermagerd, no! I never secretly stalked people or hid in anyone’s bushes or broke into houses. Not that I didn’t want to. I always boringly went through proper channels and requested interviews, or my editors set them up. When I got the interview, great; when I didn’t, screw ’em, I just called someone else.

Q What was the sketchiest journalism thing you ever did?
A Faked my way into a sold-out Meat Loaf concert. I told his publicity office I wanted to cover it for a music magazine. The magazine belonged to a friend of mine in California. It was about electronic music and they didn’t give two poops about Meat Loaf, plus this was years before I wrote for magazines for real. My friend covered for me, though; he’s a sweetie pie. In the end I did do a write-up and submitted it over the transom to some other mags that didn’t want it, either. Anyway, Loaf sent a messenger to my apartment with two tickets to his sold-out show. Then he overnighted two more tickets for another show that I didn’t even ask for. This was when Karla DeVito worked with him. I would’ve paid double just to see her. Great shows. Madison Square Garden and Nassau Coliseum, oxygen tanks and all.

Q So, did you get to meet Mr. Loaf?
A Honestly, it was too big of a cl∪sterf∪ck even for me. Huge venues, hundreds of people fighting for his attention, long lines, spurious explanations, etc. He lived in New York at the time and so did I; if I really wanted to meet him, it was easier to just pick up a box of Twinkies and go ring his doorbell.

Q What was different in the last millennium about investigative reporting?
A Before cell phones, if you had to reach anyone in a big stinkin’ hurry, first you had to find a pay phone that wasn’t broken and wait on a line to use it. The phone books were always stolen or ripped up. And you needed change, sometimes LOTS of change. It often ended badly. Fortunately lead times were months then, not minutes like today. The other thing was availability of information. In 1990, when Dead Spot takes place, there was no internet, or electronic information databases accessible from your TRS-80. Like, if you wanted to know who owned a property or business, you had to go to the city buildings department or call the secretary of state’s office. If you needed old magazine articles or out-of-town newspapers, you went to the library. You couldn’t search criminal records from your couch. People didn’t have websites. You couldn’t just fire off an email to someone you wanted to talk to. You had to get their phone number or snailmail addy somehow. I had mountains of dead-trees phone books from everywhere and a Rolodex the size of Queens.

Q How about sports? In Dead Spot, Nona participates in the New York City Marathon. On her bike. Ever involved in any sports yourself, beyond armchair coaching?
A Yeah. I was a bicycle racing official for two wild, twisted decades. It’s more corrupt than you can possibly imagine. The US cycling federation had institutionalized doping programs, rigged drug testing, an inscrutable ranking system, pandemic cheating, payola scandals, and a pedophile CEO. Oh, and they were ginormous misogynists. Good times!

Q If you hadn’t become a writer, what would you be now?
A A courtroom artist. Or a getaway driver. Or a barfly.

Q Do you drink tequila?
A Depends. You buying?

Copyright © 2018 SYDNEY SCHUSTER — All rights reserved

I make no money from this blog. If you find it interesting or useful, please buy my book Dead Spot. The Kindle version’s only $5 and you’ll love it! (Also available in paperback.) Thanks.
DEAD SPOT on AmazonSydney Schuster and Dead Spot neither approved nor endorse any advertising that may appear below, nor do we derive any income from it. Feel free to ignore it.

Terry, Bro — This One’s For Youse!

Back in second grade I had a crush on a kid named Terry. Amazingly, Terry ignored me.

I obsessed about ways to win his attention, none of which ever worked but did result in a novella (yes, when I was 8) about heroically saving Terry after he faceplants into Niagara Falls. Anyway, Dead Spot is a grownass reworking of it, wherein the heroine’s got a motorbike instead of a Radio Flyer, and dark proclivities, and no moral compass.

Yo Terry, if you’re out there, read Dead Spot. Ebook $5, dead trees $16. You owe me, pal.

DEAD SPOT on AmazonCopyright © 2017 SYDNEY SCHUSTER – All Rights Reserved

Sydney Schuster and Dead Spot neither approved nor endorse any third-party advertising that may appear below, nor do we derive any income from it. Feel free to ignore it.

Make The Stupid Stop! / Part II

On April 23 I noted the insane War of the Book Distributors over my novel Dead Spot, which is for sale over at Amazon and Barnes & Noble. When we last visited the online booksellers, Amazon sported three vendors vying for Dead Spot sales at various (mostly absurd) price points: $7.32, $111.22, and $121.73 (and mine, a thrifty $13.95!). B&N’s one vendor had Dead Spot over-optimistically priced at $142.45.

I’m completely flabbergasted to report that the Amazon copies of Dead Spot are now going for an astounding $84.97 (for the same one you could’ve had for $7.32 had you moved your ass faster) and $232.06! (Both alongside mine, still economically priced at $13.95.) The B&N copy has been joined by a second one that wandered over from Amazon, and they’re now selling for — wait for it — $239.95 and $282.53 (for the one that used to be $142.45).

No, I am not making this up! And in case you’re wondering, the three-figure Dead Spots are review copies requested by magazines that never even read them. I’ve decided that them scalping Dead Spot for $282 is an endorsement far superior to any editorial blather they would’ve barfed up.

Here’s the other thing: Why anyone would pay more than $13.95 for my book beats the hell outta me. Not that it isn’t the greatest rock’n’roll novel ever written. But if you buy the $282.53 Dead Spot, I won’t see a dime of it. Also, for $282 they should deliver it personally and give you a blow job. So buy Dead Spot from me for $13.95. At least mine are autographed.

 

Copyright © 2012 SYDNEY SCHUSTER – All Rights Reserved

Sydney Schuster and Dead Spot neither approved nor endorse any third-party advertising that may appear below, nor do we derive any income from it. Feel free to ignore it.

Thank You, Porter Anderson!

Big shout out to Porter Anderson, the journalist, lit critic and former UN diplomat who posts at PorterAnderson.com and @Porter_Anderson on Twitter. A while back the lovely Mr. Anderson tweeted wryly about Dead Spot and got me my biggest one-day response ever to this blog. Thanks, Mr. Anderson!

Copyright © 2012 SYDNEY SCHUSTER
Sydney Schuster
and Dead Spot neither approved nor endorsed any third-party advertising that may appear on this blog, nor do we derive any income from it. Feel free to ignore such crap.

The Joys of Self Publishing

Not sure whether to be flattered by this or pissed off because I don’t get a piece of it, but someone is selling a copy of Dead Spot on Amazon for — wait for it — $121.73!

Why? Sheer cojones, I guess. (I still sell it for $13.95.)

As Sting says about people who use “Every Breath You Take” for their wedding song, good luck with that.

Copyright © 2014 SYDNEY SCHUSTER

Sydney Schuster and Dead Spot neither approved nor endorse any third-party advertising that may appear below, nor do we derive any income from it. Feel free to ignore it.

 

 

Why Self-Publishing Doesn’t Totally Suck

Copyright © 2012 SYDNEY SCHUSTER

My last post was about self-publishing on Kindle, and Kindle’s mysterious sales ranking system for the million-plus ebooks in its catalog. This post is about why you can ignore it.

I published my novel Dead Spot on Kindle. A colleague asked me why I chose self-publishing, considering that my nonfiction journalism — the kind paid in dollars per word, not pennies — has been published many, many times. (Google me, dogs.) I told her straight up that I’d been hosed enough by literary agents and publishers. (Hey, Syd, Dead Spot is nice but why don’t you write a book just like [title of that week’s NYT’s best seller]?).

Even if I did succeed in getting one of them to publish my novel, establishment publishers are notoriously uninterested in promoting new authors. Odds are my book would be on B&N’s remainder table before the advance cleared, unless I did my own PR. And if I have to do the PR myself, what am I paying them for?

My author friend, the one I was explaining all this to, has published several books the traditional way. She couldn’t argue with my logic.

Here’s the thing: I’m not getting any younger. I have a novel to sell, and I’m through begging pseudo-intellectual snotbags to publish it. Ergo, Kindle. I’ve now sold way more books there than I did (i.e., zero) without it. In that regard, Kindle can be a marvelous thing for authors with marketable product and limited patience.

And not for nothing, but B&N and Borders recently picked up the paperback version of Dead Spot, which I publish myself. So 4Q2, Random House.

Copyright © 2012 SYDNEY SCHUSTER

Sydney Schuster and Dead Spot neither approved nor endorsed any third-party video advertising that may appear on this blog, nor do we derive any income from it. Feel free to ignore such crap.

A Great Mystery Solved! | How Kindle Rankings Work

Copyright © 2012 SYDNEY SCHUSTER – All Rights Reserved

One of the great unsolved mysteries of independent publishing (to me, anyway) is Kindle seller rankings. How do they work? Why are they there? What the hell good are they?

I have a rockin’ ebook for sale on Kindle. It’s called Dead Spot.  It’s one of more than a million ebooks Amazon claims to be selling now. So yesterday I sold an ebook. Here’s the kicker. Before the sale, Dead Spot‘s Kindle ranking was around 625,000. After my single-unit sale, it ranked 76,058.

I think I speak for everyone here when I say, “Huh?!?

Obviously, Kindle isn’t selling all that many of its one million-plus ebooks. Last year Amazon boasted it sold 105 ebooks for every 100 dead-trees books — then went on to predict its Kindle-related revenue would represent only 10 percent of total 2012 revenue.

The math here isn’t rocket science. A lot of Kindle books are free or close to it. And a lot of Kindle-related revenue comes from selling $80-$380 Kindle reading devices. Translation: Your life’s work is competing for seller ratings with the 99¢ epulp flooding Kindle’s site and 800-pound literary gorillas like Tim Tebow and the Kardashians.

But there’s a bigger, more troubling equation involved. Those 548,942 Kindle books ranked behind Dead Spot, the ones not lucky enough to have a sale this week — do they all share the same nomimal Kindle rank of, say, 625,000? Or are they being scored by some other method — say, alphabetization? Amazon has some ‘splainin’ to do.

Kindle’s own forums are ablaze with wild conjecture on this very subject. (The reason:  Amazon only promotes best sellers, so authors are obsessed with gaming the ranking system.) One author posted: “I have seen my Amazon ranking for my novel … fluctuate up and down by 10,000 spots without seeing any additional sales.” Another replied: “I think it takes more than 50 sales/day to break the #1000 spot.” Said another: “Since I don’t write about zombies, this is not good!”

Another forum respondent said his ebook always ranks number 1 in Amazon’s King Henry VII historical category, even though it’s a metaphysical fantasy that’s not about Henry VII. He added, “I know an author whose thriller book used to rank #1 in ‘Car Parts’.”

The New York Times ran an article claiming Amazon has traditional publishers in a frenzy, quoting them saying things like “Publishers are terrified and don’t know what to do” and “Everyone’s afraid of Amazon.” Again I say, huh?

So keep buying Dead Spot, beloved fans. One more sale and it’ll rank … minus-554,985!

Copyright © 2012 SYDNEY SCHUSTER – All Rights Reserved

I make no money from this blog. If you find it interesting or useful, please buy my book Dead Spot. The Kindle version’s only $5 and you’ll love it! Thanks.

DEAD SPOT on Amazon

Sydney Schuster and Dead Spot Books neither approved nor endorse any third-party advertising that may appear below, nor do we derive any income from it. Feel free to ignore it.